This is part 1 of 6 of the dossier What Do We Talk about when We Talk about Queer Death?, edited by M. Petricola. The contributions collected in this article sit at the crossroads between thanatology and queer theory and tackle questions such as: how can we define queer death studies as a research field? How can queer death studies problematize and rethink the life-death binary? Which notions and hermeneutic tools could be borrowed from other disciplines in order to better (...) define queer death studies? The present article includes the following contributions: – MacCormack P., What does queer death studies mean?; – Radomska M., On queering death studies; – Lykke N., Death as vibrancy; – Hillerup Hansen I., What concreteness will do to resolve the uncertain; – Olson P., Queer objectivity as a response to denials of death; – Manganas N., The queer lack of a chthonic instinct. (shrink)

Queer Death Studies (QDS) refers to an emerging transdisciplinary field of research that critically and (self) reflexively investigates and challenges conventional normativities, assumptions, expectations, and regimes of truths that are brought to life and made evident by death, dying, and mourning. Since its establishment as a research field in the 1970s, Death Studies has drawn attention to the questions of death, dying, and mourning as complex and multifaceted phenomena that require inter- or multi-disciplinary approaches and perspectives. Yet, the engagements with (...) death, dying and mourning, constitutive of conventional Death Studies’ investigations, tend to remain insufficient and reductive. They are often governed by the normative notions of: the subject; bonds between humans, as well as between humans and (their) animals; family relations and communities; rituals; and finally, experiences of grief, mourning, and bereavement. Moreover, these engagements are frequently embedded in constraining beliefs in life/death divides, constructed along the lines of conventional religious and/or scientific mind/body dualisms, characteristic of the Western cultural imaginaries. Against this background, QDS offers a site for ‘queering’ traditional ways of approaching death both as a subject of study and philosophical reflection, and as a phenomenon to articulate in artistic work or practices of mourning. Here, the notion of ‘queer’ conveys many meanings. It refers to researching and narrating death, dying, and mourning in the context of queer bonds and communities, where the subjects involved/studied/interviewed and the relations they are involved in are recognised as ‘queer’. Simultaneously, the term ‘queer’ can also function as an adverb and a verb, referring thus to the processes of going beyond and unsettling (subverting, exceeding) binaries and given norms, normativities, and constraining conventions. In other words, ‘queer’ becomes both a process and a methodology that is applicable and exceeds the focus on gender and sexuality as its exclusive concerns. (shrink)

By definition, pain is a sensory and emotional experience that is felt in a particular part of the body. The precise relationship between somatic events at the site where pain is experienced, and central processing giving rise to the mental experience of pain remains the subject of debate, but there is little disagreement in scholarly circles that both aspects of pain are critical to its experience. Recent experimental work, however, suggests a public view that is at odds with this conceptualisation. (...) By demonstrating that the public does not necessarily endorse central tenets of the “mental” view of pain (subjectivity, privacy, and incorrigibility), experimental philosophers have argued that the public holds a more “body-centric” view than most clinicians and scholars. Such a discrepancy would have important implications for how the public interacts with pain science and clinical care. In response, we tested the hypothesis that the public is capable of a more “mind-centric” view of pain. Using a series of vignettes, we demonstrate that in situations which highlight mental aspects of pain the public can, and does, recognize pain as a mental phenomenon. We also demonstrate that the public view is subject to context effects, by showing that the public’s view is modified when situations emphasizing mental and somatic aspects of pain are presented together. (shrink)

El objetivo de esta investigación es presentar una propuesta para reivindicar el cuerpo retomando las reflexiones filosóficas sobre la técnica de José Ortega y Gasset. Si bien el filósofo español no lo abordó dentro de su quehacer filosófico, es relevante ponerlo a dialogar con debates contemporáneos sobre tecnología para ver si hay alguna respuesta novedosa que se pueda obtener. La propuesta esbozada en esta investigación se sitúa en el marco del debate entre transhumanistas y bioconservadores al respecto de las tecnologías (...) que descorporizan, tomando como ejemplos principales el mind-uploading y la realidad virtual. De igual manera, ubica al cuerpo dentro del giro que trajo consigo el surgimiento y desarrollo de la cibernética. Para llevar a cabo tal reivindicación, propongo el argumento del proyecto vital —retomando terminología orteguiana— para sostener la tesis de que la realización tecnológica de las fantasías sobre el cuerpo no sólo depende del acceso a los materiales, sino del proyecto vital de una determinada época. Es así como, a través de uno de los autores canónicos de la filosofía de la tecnología, se puede repensar la importancia del cuerpo dentro del desarrollo e impacto de la tecnología contemporánea, así como poner a dialogar su propuesta con proyectos contemporáneos como el transhumanismo. Esto último con la intención de proporcionar otra lectura a problemas que son de interés para el debate entre transhumanistas y bioconservadores. -/- This research paper aims to present a proposal for reclaiming the body using José Ortega y Gasset’s philosophical reflections on technique. Although the Spanish philosopher does not address this issue directly in his philosophical work, it is relevant to establish a dialogue between these ideas and current discussions on technology. This paper’s proposal is situated within the framework of the debate between transhumanists and bioconservatives regarding technologies that “disembody”, such as mind-uploading and virtual reality. Likewise, this paper places the body in the context of the emergence and development of cybernetics. To support such a claim, I use the concept of the vital project taken from Orteguian terminology- to argue that the technological realization of fantasies about the body does not only depend on the access to materials, but also on the vital project of a given era. Thus, through the work of one of the main authors of the philosophy of technology, it is possible to rethink the importance of the body in the development and impact of contemporary technology and connect this proposal to contemporary projects such as transhumanism,. (shrink)

El objetivo del presente artículo es problematizar conceptualmente la instrucción y la educación a partir del análisis filosófico de tres ideales subjetivos fundamentales dentro de la educación femenina en México: la monja, la madre y la maestra. El análisis se desarrolla a través del método genealógico foucaultiano y del concepto de interseccionalidad entre raza, clase, género y sexualidad de María Lugones. Se propone introducir la instrucción como categoría inseparable de la raza, la clase, el género y la sexualidad, para entender (...) la construcción de los ideales subjetivos de una sociedad con necesidades e intereses específicos. (shrink)

El objetivo de esta investigaciónes proponer y caracterizar cuatro imaginarios sociotécnicos sobre los cuerpos modificados tecnológicamente en el cine ciberpunk mainstream, a saber, el ciberpunk producido en Hollywood y que es distribuido masivamente alrededor del mundo.Los imaginarios que propongo son: la fembot, el machobot, el cuerpo difuminadoy la consciencia cuasi-encarnada. Esta investigación se enmarca en los estudios sobre ciencia, tecnología y sociedad, especialmente en las nociones de coproduccióne imaginario sociotécnico, ambos desarrollados por la académica Sheila Jasanoff. A partir de lo (...) anterior, propongo analizar el ciberpunk desde claves coproduccionistas entre tecnociencia y sociedad, ya que muchos de los escenarios, objetos, personajes y problemáticas que plantea refieren a dichacorrelación. Asimismo, problematizo el carácter profético del ciberpunk a partir de la teoría mimética de la académica Seo-Young Chu. Tomando en cuenta todo lo anterior, caracterizo y problematizo los imaginarios sociotécnicos mencionados anteriormente. La intención de visibilizar dichos imaginarios sociotécnicos es dar cuenta de cuáles son las narrativas y valores que se cristalizan y reproducen en lo que culturalmente se concibe como un cuerpo ciborg. (shrink)

With increasing publication and data production, scientific knowledge presents not simply an achievement but also a challenge. Scientific publications and data are increasingly treated as resources that need to be digitally ‘managed.’ This gives rise to scientific Knowledge Management : second-order scientific work aiming to systematically collect, take care of and mobilise first-hand disciplinary knowledge and data in order to provide new first-order scientific knowledge. We follow the work of Leonelli, Efstathiou and Hislop in our analysis of the use of (...) KM in semantic systems biology. Through an empirical philosophical account of KM-enabled biological research, we argue that KM helps produce new first-order biological knowledge that did not exist before, and which could not have been produced by traditional means. KM work is enabled by conceiving of ‘knowledge’ as an object for computational science: as explicated in the text of biological articles and computable via appropriate data and metadata. However, these founded knowledge concepts enabling computational KM risk focusing on only computationally tractable data as knowledge, underestimating practice-based knowing and its significance in ensuring the validity of ‘manageable’ knowledge as knowledge. (shrink)

Like any social science, management and organization sits astride two literary and epistemic disciplines; the empirical and the conceptual. I argue that emphasizing the former to the detriment of the latter, as is often the case in management and organization research, creates a conceptual blindness that compromises progress in the field. I show how adopting a more philosophically attuned methodology buttresses the conceptual tools of management and organization research via deduction, induction, normative grounding, and overcoming the illusion of unanimity.